2013년 4월 17일 수요일

디즈니 '론 레인저' 새 트레일러 + 캐릭터 포스터 + Q&A 세션

디즈니의 여름철 텐트폴 '론 레인저(The Lone Rangers)'의 주연배우 쟈니 뎁(Johnny Depp), 아미 해머(Armie Hammer), 프로듀서 제리 브룩하이머(Jerry Bruckheimer), 영화감독 고어 버빈스키(Gore Verbinski)가 미국 라스베가스에서 열린 씨네마콘(CinemaCon)에서 '론 레인저' 관련 Q&A 세션을 가졌다. 이어 디즈니는 '론 레인저' 캐릭터 포스터와 함께 새로운 트레일러를 공개했다.

디즈니의 '론 레인저'는 미국의 클래식 TV 시리즈를 기초로 한 웨스턴으로, 아미 해머가 메인 캐릭터 존 리드/론 레인저 역을 맡았고, 쟈니 뎁은 론 레인저의 사이드킥인 톤토 역을 맡았다.

이밖에 윌리엄 피크너(William Fichtner), 헬레나 본햄 카터(Helena Bonhame Carter), 톰 윌킨슨(Tom Wilkinson), 루스 윌슨(Ruth Wilson) 등이 출연한다.

'론 레인저'는 2억 달러를 초과하는 제작비를 들인 디즈니의 여름철 텐트폴이지만, 일부 헐리우드 미디어는 작년부터 이 영화를 '박스오피스에서 기대에 못 미치는 성적을 낼 영화'로 꼽은 바 있다. 제리 브룩하이머, 쟈니 뎁 등 친숙한 이름들이 많지만 반응이 어떨 지는 뚜껑을 열어봐야 알 수 있을 듯.

북미지역 개봉일은 7월3일.

우선 디즈니가 새로 공개한 '론 레인저' 트레일러를 보도록 하자.


다음은 '론 레인저' 캐릭터 포스터.







다음은 Q&A 세션.

Q&A 세션은 라스베가스 현지 시간 오후 1시 (미국 동부시간으론 오후 4시)에 인터넷을 통해 라이브로 중계되었으며, 전세계 팬들이 트위터와 페이스북을 통해 올린 질문을 '론 레인저' 제작진이 답변하기도 했다.



아래는 Q&A 세션 영상.


아래는 Q&A 세션 트랜스크립트.

>> Welcome back to everybody here in the Vegas at the AMC town square theater, hello to friends watching on Yahoo and live screening around the world.

Welcome to this special Lone Ranger fan event.

Before we get into the Q & A with our special guests, if you have a burning question about the film or for the cast, be sure to use the #loneranger and you can have your question asked right here.

Let's start this thing right now.

My privilege to welcome the director, the stars, Johnny Depp and Armie Hammer and the producer Mr Jerry Bruckheimer.

>> How are you doing?

>> Hello again.

Nice to see you.

>> "The Lone Ranger," I remember my dad introducing me to "The Lone Ranger" when I was little.

Talk to me about your first impressions of "The Lone Ranger," when you first remember being introduced to the world.

>> Is that to me?

>> Sure.

Director of the movie.

>> Looked right at me.

I -- wow, I don't know -- I -- I felt like like kind of a distant memory.

I thought there was a great opportunity to explore that with Johnny and Armie to try something different.

You know, I mean, it is all there, the Silver bullet and the white horse and the mask and the code.

But I think we're just doing something different.

We are telling it from Tonto's perspective.

Kind of our way into the story.

And you have all heard the story but you have never heard it from the guy who was there.

He just was somebody who was there but you don't entirely try -- he just was somebody who was maybe there but you doesn't entirely trust.

>> Speaking of Tonto, interesting portrayal of Tonto.

Did you reserve native American culture?

>> Johnny: Well, preparing for the role of Tonto, you know, was just really trying to find a way in that was -- into the character that was, you know, different, and not to take anything away from what the great Jay did, but I don't know, I was always as a kid, when I watched -- Tonto was the sidekick.

I was, you know, felt a little unnerved about it.

So, as far as research in terms of the native Americans, the human beings in that area, and all nations, really, just to -- the goal really was to try to in my own small way right the many wrongs that have been -- the human beings in that area, in all nations, really, just to -- the goal really was to try to in my own small way right the many wrongs that -- >> We have a question coming from Debra out in Racine, Wisconsin, for Armie Hammer.

Did you have a chance to learn how to ride a horse?

Were you familiar with horseback riding?

>> Armie: Yeah, I was familiar with horseback riding the not through a moving -- there was a process called cowboy boot camp where they took all of the actors and stuck us on a working horse ranch in nNew Mexico and said they were going to beat the city out of you.

They tried.

>> What was the most fun location you guys had to shoot the movie in?

>> Oh, we shot in five states.

It rained and snowed and 125 degrees.

We still are getting dust out of our ears.

It is the hardest film I have ever been on.

It was absolutely nuts.

Every time you show up they are pulling gears out of the bottom.

Everything.

It was insane.

>> Creed, Colorado, very cool place.

>> Beautiful.

>> Jerry, you have worked on huge movies over the years?

How does this stack up against other big blockbusters -- >> It is an enormous movie.

You can see from the footage we looked at in the trailer, gigantic.

We built trains and trekked the trains over five states and enormous cast of actors and the huge production -- it was one of the fun adventures that took from February until October to finish.

It was a long journey, but a wonderful journey.

>> We have questions from our friends at Yahoo.

Liz wants to know from Armie what it was like to put the mask on for the first time.

Iconic symbol.

>> Without the zipper.

>> Sorry, it just comes out.

>> There was a delay.

>> Armie: A lot of mask fittings.

It never really felt surreal putting the mask on for the first time.

It was more of like a bunch of us standing in a room with 100 different kinds of masks.

Try this one on.

Try this one.

There was that one that just went right on and hit the bridge of my nose and everything perfectly.

Guys, I think we got it.

I wish it was a more iconic moment.

So this one fits.

>> But he looked great in it.

>> Nobody can tell who he is when he puts it on.

>> You have created so many great characters in your career.

Talking about the inspiration for Tonto.

Talk to me about the last couple of movies, and the movies you worked with Gore.

Why you guys maybe have a good thing going.

Fourth time you worked together now.

>> Johnny: Something like that.

Five, yeah.

>> Yeah, number five.

>> Johnny: In terms of working with Gore, it is always a pleasure.

Always an adventure, not necessarily just in the physical sense, but an adventure into the character.

And there is a shorthand, you know, and a great sort of understanding and a great -- >> You said great.

>> Johnny: I did say great.

I think I said it a couple of times.

Stuttered.

It was great >> Great, great grandfather.

>> Great Gatsby.

>> Johnny: No, that was another film.

>> Great escape.

>> Johnny: No, just a wonderful kind of respect for absurdity and -- so, there is just a -- kind of a thing that happens you know when we work together that, you know, we start feeding each other, you know -- >> One of those previous projects an animated film.

A lot of people love Rango.

Did that help you, even though it was animated -- >> Johnny: You mean the fact I had to become a lizard?

>> You said it, not me.

>> Johnny: I'm still reptilian.

>> I think that is a completely different character.

alive when you are on a horse moving at high speed and you realize that you are under it suddenly.

Staying really my biggest challenge.

alive on the horse was>> Jerry, somebody behind the scenes, talk to me about the challenges of a producer?

>> You realize that you are under it -- >> Enormous undertaking when you are shooting in five states, horses, horse trainers, enormous, enormous production.

Just moving that whole Caravan from state to state was an ordeal for our crew and staff.

>> A question, Armie, which characteristic from the Lone Ranger's personality would you like to have and make your own?

>> I also wish I had found a bunch of Silver.

That would be nice, too.

>> Johnny, this is coming from China.

What kind of characters haven't you played but maybe would love to some day?

>> Johnny: Carol Channing.

I mean that.

She is fantastic.

Carol Channing.

Another guy that I, you know, would love to do -- I mean that.

She is fantastic.

>> This is coming from Facebook Gore.

What was your most memorable moment filming the movie?

A day onset that stands out?

>> Gore: Oh, God.

No.

You said in the edit room, work on the movie, every -- a memory of just absolute misery and pain and torture and nothing was going right and the weather was horrendous and so I -- I'm just sitting here watching the clip.

I was like oh, you know, every shot comes up has a little bit of a history.

It is not just the movie.

It's the process of making it.

Which is just insane.

It's madness.

>> Out in Japan, Johnny, they want to know, Tonto calls the Lone Ranger -- >> Johnny: Does it mean something in Japanese?

I wants -- I want to really be careful here.

>> Johnny: The origin of it, wrong brother.

Wrong guy.

>> Thank you.

Let's keep it going with a question from Korea.

Jerry, do you have plans on taking the movie to Korea or being there with the cast?

>> Jerry: I think we do.

We might be there in July.

We're excited.

>> Telling a uniquely American story but making it approachable for the entire world to enjoy.

What were some of the aspects of that that you looked into?

>> All about telling a great story, great characters and wonderful themes.

Brilliant director and fantastic stars like I'm sitting next to.

That's the fun of it.

Bringing this whole Caravan, circus that we carried around the northwestern part of the country and present it to the audience.

And to you out there.

That's the fun.

To watch you enjoy what we just spent almost a year of our life filming and editing.

>> In Italy, was this the most dangerous movie you ever worked on, Johnny?

>> Johnny: I have worked with Michael Mann.

>> A close second is what you are saying.

>> Johnny: Yeah, this is definitely the most dangerous.

When you find yourself underneath of a, like I said, a horse traveling at great speed, and you -- all you see are the striations of muscle in his -- >> You guys are close now.

>> Johnny: Enormous body.

Very close.

And all you can think about is -- it was almost consummated -- very, very close.

But I was more worried about the hooves than, you know -- getting into a relationship with the horse.

The horse did save my life, I must say.

>> Keep it moving.

From Canada, Isabelle has a question -- >> Johnny: Ask Johnny to leave.

>> Isabelle has a question for Armie.

What is your favorite scene in "The Lone Ranger"?

Looking at some of the footage and you were looking at it a little differently obviously.

>> Armie: This is my first time seeing anything in the movie.

It is exactly what Gore was saying.

You watch the scene.

Unfortunately you are not able to go with the movie, suspend your disbelief.

Oh there are cowboys, those are the bad guys.

You're going, oh, that's me.

And that is how I stand.

Like listening to yourself on voice mail.

You watch it.

You remember being there.

You remember that day, oh, man, it was 124 degrees that day.

Oh, hot.

It just -- all of it, each scene places where they would go.

Great, we're so excited you are shooting here.

You can't have any cars.

equipment?

You have to carry it all.

the cameras were not working it was so was so difficult to make because we would be shootingWe would go what do we do with all of theYou would have guys carrying camera dollies that weigh 1,500 pounds.

Eight guys carrying it over the crest of a mountain.

Kind of experiences you can't get working on any other movie.

>> Jerry produces independent movies.

Let's go to Russia now.

A question for you guys.

characters to make them your own.

Obviously you did.

Was something that stood out from doing theWants to know if you added something to these research and seeing how they were played on radio before that you knew you wanted to maybe bring something different to each of the roles?

>> Johnny: I mean, for me it was important to see, you know, like I said, give as much back to the human beings, native Americans, that was really for me.

>> Armie, "The Lone Ranger," iconic character.

When you did the research and looked at everybody that played him before, what was something that you wanted to be sure to add to it and make it your own?

>> Armie: The thing most important for the character, semi-inflated sense of justice.

The idea of, you know, I'm going to bring law and order to this place.

That was what the original Lone Ranger was all about, and it is what our Lone Ranger is all about.

>> How long did it take for you every day to make -- >> Johnny: About an hour and a half.

Couple of hours.

>> When you slept in it.

>> Johnny: Oh, yeah, times.

Which was -- you really can't go into a yeah, I did sleep in it a number of restaurant at that point.

>> It also smells exactly as it looks.

>> Johnny: Yeah.

Yeah.

>> In Venezuela, they want to know that happened while shooting?

Across what was the funniest thing five states, on these huge sets.

Is there something that stood out for you, Johnny, a funny day that comes to mind?

>> Johnny: Well, I got to fall off of a horse at top speed.

I mean, you know, when you are in those situations, when you are in the trenches, in the -- you know, the muck out there with everyone and everyone is working hard and everyone is working for the same thing.

From, you know, the muck -- it is like a family.

Basically like the circus comes to town.

Every day was fun, funny, miserable at times.

But, you know -- >> Buried and the crew just left -- they came back the next day.

>> This is coming from Facebook.

I will read it as it is written.

Hello, Jerry Bruckheimer, you are a great man.

I want to ask you what your inspiration is to make movies.

>> Jerry: I had such a good time growing up in the theater.

Watching great movies.

I wanted to bring that to the next generation and be part of that magic on the big screen and work with such talented people as are on this stage.

That is what I love.

I love entertaining people.

That is why we make movies like "The Lone Ranger.">> I remember

interviewing you for "The social network" and you have a few credits under your belt since then.

How has that experience prepared you for this moment as the Lone Ranger >> I left social network with a sense of this job is really, really hard.

I went on to the next movie.

Doing 17, 18 hour days again.

This is really hard.

I really love this.

It was just like -- I think what I walked away with from "Social network" was this is not an easy job but there is not a job out there that is worth it more.

It is the same that Jerry says.

Go to the theater and has fun.

>> We have a question from Twitter.

"The Lone Ranger," this is a question I guess for the entire cast up here -- when you were younger, did you ever play dress-up as the Lone Ranger or Tonto?

You are amongst friends.

It is okay.

>> Which character?

>> Johnny: I played dress up as Carol Channing.

>> Carol Burnett.

>> What cinematography, special effects approaches that you used in this film, bring it to life that audiences should look out for while watching the movie?

>> We tried to put people on trains, on horses, under horses in the dirt, you know, and only relied on -- certain places we had to.

But trying to make it feel like -- that it occurred.

We brought a camera to these places.

We were very nomadic.

We were very large but we were very low FI.

It is hard to find locations that don't have a taco bell or something in your shot.

You know, you do have to kind of climb over that mountain and you do have to go to those places.

It just doesn't -- people don't act the same if they're not on top of a train at 40 miles an hour, you know.

>> For the audience, that is lucky enough to be here in Vegas.

You were introduced to the character of Silver, who I imagine plays a big role in the movie.

Talk to me about Silver and his role in the film.

>> We had a number of trainers working with Silver.

He does play a magical role in the movie.

It is something that I think audiences are going to love when they see him.

>> Unfortunately -- that concludes our -- that concludes our time here in Vegas and hanging out online with you guys watching all over the world.

Film opens July 3rd.

Give here today.

Check out "The Lone Ranger" it up for our wonderful panel when it hits theaters.

Thank you guys very much.

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